Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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SALUCCI, Alessandro
father of domenico and a noted composer in his own right.

ID: 60243

SALUCCI, Alessandro father of domenico and a noted composer in his own right.
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SALUCCI, Alessandro father of domenico and a noted composer in his own right.


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SALUCCI, Alessandro

Italian painter, Roman school (b. 1590, Firenze, d. 1655/60, Roma). Italian painter. He specialized in imaginary architectural perspectives and harbour views, in which the figures were executed by other artists, most notably Jan Miel and Michelangelo Cerquozzi. His pictures were praised by contemporary and near contemporary writers, including Carlo Malvasia, and during the 17th century were popular with private collectors in both Florence and Rome. However, many of the paintings mentioned in contemporary sources remain untraced. He is first documented in Rome in 1628, when, with Andrea Sacchi and Pietro da Cortona, he worked on the fresco decorations of the Villa Sacchetti (now Chigi), Castelfusano (nr Ostia), to which he contributed personifications of the River Nile and the River Rh?ne (in situ). He became a member of the Accademia di S Luca in Rome in 1634, and after 1635 he was engaged on frescoes (in situ) depicting sacred subjects in S Maria in Vallicella, Rome. From the mid-1630s onward Salucci collaborated with Miel on the imaginary architectural subjects for which he is best known, including the Perspective with Portico   Related Paintings of SALUCCI, Alessandro :. | Aristotle with a Bust of Homer | Night on the Southern Shore | The Grand Canal | Madonna with Child and an Angel | portrait of Jeanne Hebuterne |
Related Artists:
Charles - Theodore Frere
French, 1814 - 1888
FRUEAUF, Rueland the Elder
Austrian painter (b. 1440/45, Passau, d. 1507, Passau).
Cornelis de Man
(Delft, 1 July 1621 - Delft, 1 September 1706) was a Dutch Golden Age painter. Kornelis was not satisfied with life in Delft. He wanted to travel beyond the port of Dordrecht and that is what he did, spending a year in Paris as soon as he came of age and had enough talent to pay his way with his painting skills. He was well-received, but set off in the Spring for Lyon in order to cross Lombardia and the mountains before another winter set in. He settled for two years in Florence, where he had a rich patron, but stayed the longest in Rome. On the way back home he stopped in Venice, and in the end was gone for a total of nine years






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